I’ve done a new video for a track on my Halloween Soundscape album. This is one of the more subdued tracks on this spooky ambient album. Though the original inspiration for “The Monster Lives” was Frankenstein’s monster, the music works well for “sea monsters”, too!
Put on the headphones, turn out the lights and enjoy! 😀
The “season” for Halloween Soundscape is short and it takes time for this video to percolate through the networks so… Please, share! 😀
If you haven’t heard/bought Halloween Soundscape, you can stream the full album (hopefully as a prelude to buying it!) in the sidebar. Read the liner notes as you listen.
Some you, new to Gymshoes Music, may listen to the first track of Sand In My Shoes and think: is it supposed to sound like that? Yes, it is and I’ll tell you why. 😀 Gymshoes music is (mostly) not live, not natural; it’s a one-person artificial studio construct. I’ve done stuff that’s real and rootsy (A Tropical Depression) and incorporated natural elements into my soundscapes (“The Beach At Sunrise”, “A Piece of Fiji” for example), but mostly that’s not the idea. Gymshoes music is mostly about creating something that can only be created in the studio. It’s about manipulating sound and rhythm, about editing bits and bytes. Some of you may sneer, but I have a somewhat punk attitude about it: like early punk musicians, I don’t have to be able to play these instruments—it’s legitimate not to.
I recall a discussion about a drum part with former Undead Monkey collaborator Hockinfinger. The band has never had a drummer more than briefly (something that breaks my heart as I’m a very rhythm-oriented girl who wants a long-term drummer). I worked up a complicated overdubbed drum part and he objected (rightly in this case) that no human drummer could play it. His criteria for creating a drum track was the limitation of what a human drummer could do with two hands and two feet. I can understand that. It depends on how real you want the track to be (and what the song needs).
On the other hand, Gymshoes music is not supposed to have that level of reality. 😉 I’m one person and though I might lay down a bit of percussion, I’m not a drummer. Doing strictly studio work means that I don’t have any limitations! I have overdubbed rhythm on a lot of the songs precisely because I can do something digitally that can’t be done in the real world! Artificiality is integral. So embrace the hopped-up guitar and manic polyrhythms!
Most contemporary music is a product of technology one way or another. If you’re listening to me play acoustic guitar in my living room, there’s no technology involved. If you’re listening to an mp3, you’re up to your neck in technology. 🙂 I play acoustic guitar, write songs with lyrics instead of samples—like A Tropical Depression—and enjoy rootsy music. But with the exception of A Tropical Depression, Gymshoes music is mostly fun manipulating sound and rhythm. So, yeah, it’s supposed to sound that way! 🙂
Some of you may remember that one song on my A Tropical Depression album was not about hurricanes, but about the Indian ocean tsunami in December ’04. Now, watching the images of the quake and tsunami in Japan I’m grieving once again and hear “Wave, Goodbye” echoing in my head again. You can buy the song (and the EP) from: iTunes, Amazon, myspace, Napster, and Rhapsody. All proceeds benefit the Red Cross. If you plan to donate to the Red Cross, you can get some music, too. However, the Red Cross needs much more than what will come in from this song (unless it goes viral in a way I can’t even imagine), so I urge you to donate whether you get “Wave, Goodbye”, or A Tropical Depression or not. What matters is helping the people in Japan. If the music helps you, too, that’s a bonus.
How many of you got ereaders for Christmas? Or know someone who did? Most ereaders (& of course iPad) play audio. So, I thought I’d remind you that my Halloween Soundtrack album is good music for reading a spooky book. Many of the tracks were inspired by works of fiction, so it’s very fitting if you want to drop them into your ereader as you read dark stories through the long dark winter evenings. Of course, most of my other tracks are lighter fare, so if you’re reading something warm and sunny this winter browse through the tracks in the music player in the sidebar, paying particular attention to Sand In My Shoes, if you really want a summer vibe. Both albums are available from iTunes, Napster, Amazon mp3, & myspace.
I’ve now got an artist profile on iTunes Ping! You can follow me there: http://c.itunes.apple.com/us/profile/id-14812. Do you use Ping? What sort of updates do you want from me on Ping? How often? Do you use it like you do social networking? Let me know how (or if) you use Ping. Otherwise I’m just going to wing it. 🙂 As on other social networks, I have the option of following you back (or at least I think I do), so I’ll check in there periodically and maybe follow you back. See ya there! 😀
Things are happening so fast that I can hardly keep up! Especially since I was out of the country on vacation for a week! While I was in London, distribution of three of my novels as ebooks took a giant leap forward. All three are now available from Barnes & Noble and the iBook store for iPad, as well as Amazon US & UK. They’re also available from Smashwords and two of the three are in the Kobo book store. Just search “Ainy Rainwater”. That’s my nom de plume. 🙂 Or click one of the links below. 🙂 One is sci-fi, one horror, and one “cozy” mystery. Something for almost everyone. I’ve been scrambling to get the word out, so please tell all your ebookworm friends. 🙂
Also, don’t forget…Halloween is coming up…if you already have my Halloween Soundscape album, I know you’ll be playing it again, but don’t forget to tell your friends! It’s available from iTunes, Amazon mp3, Napster, Rhapsody and mySpace Music. Share the links with your friends!
Three years ago today Halloween Soundscape was released and I’m astonished at its popularity. It sells year ’round and has so far outsold all other albums and EPs. I’m gratified, thankful that the years of hard work I put into this project is being rewarded. It’s dark, ambient music—not my usual thing, but good not only for haunted houses & scaring trick-or-treaters (one little kid that came to my house scolded me for playing scary music!), but also for rainy days and nights reading scary novels. I suppose I shouldn’t be surprised that it sells all year since it’s sort of a soundtrack album for books. Many of the tracks are based on scary classics. If you’re not familiar with it, you canread the liner notes and stream the album in the widget sidebar. (I’ve moved it up to the top for the fall season.)
The album is available for download from major online stores (iTunes, Rhapsody, Amazon mp3, Napster and MySpace Music). If you like ebooks, a horror novel I wrote some years ago will be coming out as an ebook this month! It would go well with Halloween Soundscape. Look for an announcement of the publication of Miasma within the next couple of weeks!